The Alienist - Dr. Wellmer
Roquelaure
and the "Sex Talk" Scandal
of 1906-08
[A
Metagame note. While other elements of Clarence are quite serious,
the Frank Taylor Scandal is perhaps the most serious and controversial
element of the game. I felt it was worth a few words of introduction
by way of reasoning.
First, the scandal does not reflect any specific
previous LARP scandal. It has elements of all the most controversial
scandals I could think of, lumped together in a fashion that is
quite original. None of the persons involved are based on any
actual people in the LARP community. It was my intention to produce
the "mother of all scandals," and I think I did. The
incident is very loosely based on two incidents in other communities
with which I have had ties.
Second, I think I touch here on the nightmare
of many GMs, and ultimately the great fear behind those who would
detract from or limit roleplay. What happens when someone does
not know when to stop? What happens when someone reacts in a way
we cannot manage? What happens when the lines are not clear? I
hope a reminder of the way in which the LARP Community used to
deal with such problems sets a good example of "how not to."
deal with any problem or controversy.
Third, and finally, I wished to show a little
something about the clash of cultures taking place in the early
20th century, to make it a little more relevant to us now. Clarence
is a period piece and contains much interesting about the early
20th century. It is my nature to show the gleeful decadence of
a Thaddeus Walker, but in 1903, though not outstanding in an arts
community, he is outrageous in the eye of the public. I wanted
to show both something of the more conservative and normal reaction
one might see, and the gamut of social responses in a transitory
Victorian time period.
At any rate, if read in entirety this piece
stands at one end of a gamut from lighthearted humor to dark parody.
I meant to include all of these things in Clarence, and hope I
have.]
The Alienist Dr. Wellmer Roquelare
In three original runs of Clarence, the Alienist Dr. Wellmer
Roquelare was played by Frank Taylor. He requested the character,
and so defined it that the GMs would not give it to anyone else.
He also gave rise to the ultimate scandal of early LARP.
Taylor is an odd figure. He was reasonably well written of, however
he seems to have been both a more obsessive womanizer and less
successful at it than Walker (who admittedly seemed to attract
women for no good reason, a fact Marsden often commented on).
Oddly however, he seems to have been a commanding figure - Henrietta
was clearly intimidated by him, as was King. One assumes his profession
- he was a Medical student - a doctor by the time of the Scandal
- must have had some impact on this.
He didn't remain in the community long enough for us to get a
really clear picture of him. He was a student at Johns Hopkins
School of Medicine, (which had been established ten years earlier)
and as he apparently moved to the southwest to practice sometime
around 1907. Taylor knew a great deal about psychology such as
it stood in 1903.
Critics said he became "too psychodramatic" and tried
to "treat" his female patients. Supporters said he was
a good roleplayer.
Taylor caused some serious controversy. There were serious accusations
that he went too far in conversation with his female 'patients'
referring graphically to the suggestion that they were sexually
assaulted in their childhood. This "Seduction Theory"
was scientifically sound, in that it had been put forward by the
already distinguished Dr. Sigmund Freud beginning in 1895.
By the mid 90s, Freud was an advocate of, and had written about
sexual gratification and orgasm for both sexes. He felt that any
emotional or physical interference with the full cycle of sexual
arousal and satisfaction (such as coitus interruptus) could serve
as a focus for anxiety neurosis or as a factor in psychoneurosis.
Freud also believed that female sexual gratification in intercourse
depended on the male partner engaging in adequate foreplay and
intromission, writing therefore "it is positively a matter
of public interest that men should enter upon sexual relations
with full potency"
In his landmark Studies on Hysteria with Breuer in 1895, Freud
suggested that much adult psychopathology stems from childhood
abuse, "in part because he saw reconstruction of the abusive
history as evidence for a critical-period view of neurotic development:
any genital stimulation of a very young child was almost certain
to be traumatic because of the child's primitive emotional and
cognitive resources and would give rise to psychological defenses"
In 1896 he enlarged this to include seduction, in which a child
might might "be moved to cooperate in the sexual events --
might in fact be seduced as well as abused" The idea of a
child being active as a participant in precocious erotic behavior
points up the idea of "infantile sexuality" on which
Freud would later base much of his psychoanalytic model.
By 1906 Freud was re-evaluating the Seduction model, but it continued
to occupy some place in his work, and it was perfectly reasonable
that a well read Psychologist might not be familiar with his further
work, which had largely been published in German.
Taylor was a very commanding figure, and he launched into his
"patients" with full blown Freudian language, which
included a basic explanation. It is not difficult to imagine that
a conversation which included not only reference to, but necessitated
a detailed understanding of the function of orgasm might have
been upsetting to many run of the mill players in 1906.
Yet can we condemn Taylor for it? He was using scientific theories
and jargon which were not only recognized at the time, but which
would become increasingly more critical to a field we recognize
as scientifically valid today.
On the other hand it might well be the case that a fresh faced
and demure girl - who however experienced may have never had a
man use the word "orgasm" in her presence before, and
certainly not discussed foreplay, might become "intolerably
excited." Taylor's detractors said he took advantage of such
excitement "after hours" - after all the girls were
not his patients and he was merely roleplaying.

The "Sex Talk" Scandal
Most of the argument revolves around the ill-fated 1906 Philadelphia
run, in which Taylor cornered a distraught Annette Spath for the
better part of an afternoon. Cast as Tess of the D'Urbervilles,
Taylor had found fertile ground. There is no "agreed on"
version of the story. It ranges from rape to succor. It was one
of the first "flame wars" in the pages of Metagame,
inciting flames not only about the issue, but about whether or
not the word "orgaic" (of or pertaining to an orgasm)
should be printed in its pages.
Reprinting the entirety of the debate would be outside the scope
of this game - the debate ran from Fall 1906 to Summer 1908, and
occupied at its height more than seventy percent of the fledgling
LARP magazine. Ironically, the debate also popularized the magazine,
which had a circulation of only forty to fifty going into 1906,
but was nearly 150 strong by 1909.
We've pulled key comments out of the magazine attempting to illustrate
both sides of the acrimonious debate.
Even now it is difficult to say who was "right" and
who was "wrong." Time to some extent was on the side
of the Taylorites. The issue had subsided by the time the war
broke out, and the loosening of sexual mores - both during the
racy teens, and the Jazz era 1920s made the Anti-Taylorites seem
stodgy and frankly provincial. However the real issue goes deeper.
The fact is not that time made Taylor's actions acceptable or
unacceptable - time merely made them unremarkable and clouded
our ability to reasonably analyze them. By 1925, conversations
about Freud and sex were commonplace, and to affect distress at
simply hearing such things would in fact be ludicrous.
But in 1903, these matters were on the cutting edge of "modern"
behavior. Certainly throughout the "gay nineties" there
were subcultures in which such matters were discussed with comparative
freedom. It can be historically argued that such things "definitively
were subjects of everyday discussion" and "definitively
were not subjects of everyday discussion," with equal ardor.
In the 1880s and 90s, middle class Victorian women flocked to
matinees of Ibsen's "sex problem plays" which discussed
many of these same issues. By 1921 such topics were firmly in
bounds. But in 1900 the young Urugayan erotic authoress Delmira
Agustini had been murdered by her husband for writing about the
same.
Certainly time has favored the explicit. Freud was the fundament
of psychological thought throughout the early 20th century. By
1919 film and magazines had taken Freud into the mainstream, and
while it would be the late 30s before "orgasm" would
see print in a typical publication, it was certainly no more than
mildly scandalous in person. But to base our assessment on what
later became the case is to miss the point of the Taylor Scandal.
The basic question remains as valid today as it did in 1903.
What rights does a player have to expression "in character"
if it makes other players uncomfortable. And what obligation does
the uncomfortable party have to make this clear, and how much
should they be able to rely on reserve and manners? Unfortunately
these issues were, in 1903, as clear as mud. Slowed by being argued
in the pages of a quarterly publication, and sidetracked by endless
digressions the sharp relief of the question would not be seen
until as recently as 1994, when Miriam Jung presented an article
on the scandal in JALARPA (Journal of the American LARP Academy).
In 1903, the manners and expectations of one group of players
collided with another. The relatively liberal Arts crowd from
DC and Baltimore - heavily biased towards persons with an active
interest in stage drama or visual arts - collided with a Philadelphia
Social Community which had only the faintest of such connections.
And the collision was dynamite. The extremes of behavior like
Thaddeus Walker (who knew he was outrageous) aside, moderates
like Ivan Collins felt they were well within their rights to defend
Taylor. And likewise, the Philadelphians - citizens of the city
that bored W.C. Fields the most - felt that he was painfully out
of line. Were either right? There is no firm answer.
We still do not have an answer. In general we rely more on guidelines
and the clearly delineated expectations of GMs. In the days of
Clarence the game tended to be either a dictatorship or an anarchy
- the modern spirit of cooperation was lacking, and the players
acted as if any rights not specifically reserved to the GMs were
absent - to some extent as if GMs were only players themselves,
bound by the rules they had written. Most games contained an 'elastic
clause' however by its very vagueness it was so weak as to hold
no power. Games were a power struggle between GM and player, and
as often as not between GM and GM. Where a GM would now explain
the need for a ruling, GMs at the time spoke "ex cathedra"
or maintained the right of the players to run amok provided they
had not broken a written rule, no matter how badly the game fared
as a result.
But situations still come up where player behavior raises questions
that cannot quickly and easily be answered.
Argument in print was no stranger to Edwardians. In the late
Victorian era, and the early 20th century the pages of the local
newspaper were the site of a free-for-all among the more vocal
minded members of any community. Well into the 80s a man might
be scandalized to the point of dueling in the newspapers, and
biting personal criticisms were the rule - in short the Newspaper
was a public forum for private argument.
By the early 20th century, the worst excesses had faded away,
but newspapers were still a forum for heated and often very personal
battle, and despite magazine pretensions, Metagame of 1906 was
little more than a newspaper for LARPers, modeled more on a Broadsheet
than a true magazine. Likewise many newspapers would run any number
of anonymous letters, and absent a policy of rejecting them, Metagame
accepted them.

A few Facts
This is largely paraphrased from Miriam Jung's conclusions,
which include not only the Metagame articles, but various private
letters and interviews.
It is reasonably well agreed that Taylor did not have sexual
intercourse with Annette Spath. It has been suggested that if
he did the whole case would be different - the accusation much
more serious. However Miriam Jung has concluded that there was
never any credible allegation of such, and that the charge does
not show up until 1932, when an article in a conservative Philadelphia
paper in discussing the banning of Dawn Roz' "One Hundred
Sheiks and a Shieksa" referred to "a game some years
ago where a girl was raped."
But it wasn't seen that way at the time, and though the case
has been made in years since that the family covered it up, that
would seem contrary to the point of running a public letter about
it. Of course nothing can be proven. But nobody who was involved
- on either side of the fight - ever made that allegation in writing.
The question was one of impropriety. Nobody during the entire
debate even suggested that Taylor had taken Spath to his room
(though he may have briefly). The issue was what Taylor had said
to her, and the reaction it had caused.
It is generally agreed that Taylor sat next to Spath on a couch
in the Rose Room for most of Saturday afternoon. Nobody knows
what happened after about four, but there is no evidence that
either of them left the playing floor. Walker later said that
he thinks they did, only for a few moments, so that Taylor could
get a headache powder for Spath. Dr. Moore later wrote that he
gave Taylor a powder but that he was alone. Neither of them was
gone long enough to elicit comment. The Hotel Detective did not
note any "unusual activity."
Taylor says that he lost track of Spath shortly after dinner.
He sat with her through the meal, which she said she did not feel
like eating, in order to "keep company," and "as
she was obviously feeling poorly I did not expect any advantage
of it, but merely sought to distract her from her state with stimulating
conversation."
Annette Spath was found by her friend Agnes Johnson at about
ten o'clock, and was in a state of "excited hysteria."
She cried and was uncommunicative for several hours. Johnson called
a cab at about midnight, after she refused to see Dr. Moore, and
asked her cousin Coleman Love to see Annette home, but she adamantly
refused to get into the cab with Love (who she had never met).
At about half past midnight, Agnes Johnson rang Leonard Spath,
her brother, who came and got her in his motor-car. She did not
return the next morning.

The Chronology
Fall 1906
An Injurious Presence - Anonymous
It has never been firmly established who circulated the initial
complaint. It is fairly poorly worded, though the English is perfectly
fine, and frankly makes a poor case. It is generally believed
to have been written by Leonard Spath, after speaking with Agnes
Johnson. It uses very general terms and says that "at a performance
of a sort of dramatic entertainment in our city," there was
a "most ungentlemanly man" who caused a young lady "traumatic
distress from which she has not - and may not - recover. It goes
on to say that another young woman left the entertainment because
she was given a written sheet with "improprieties of the
gravest sort." It suggests that such an "injurious presence"
should be "blackballed or worse."
It is suggested that Agnes Johnson is unlikely to have used the
term blackball, whereas Leonard Spath, who was a member of several
exclusive clubs, would be very familiar with it.
Another theory says that it may have been composed by Coleman
and Imogene Love, both of whom played the game. If so then the
responses served only to pour gasoline on flames.
Spring 1907
GM Meeting - Shortly after Metagame came out, the
full staff met at Henrietta's - for once even Walker being allowed
in. The meeting focused on what we would now call "spin control."
It was decided that King would write one letter on behalf of all
the GMs and explicitly deny having issued an "improper"
sheet. It is clear that if the original Carmilla sheet had been
given to Dora Belle Henderson, it had not been used in Philadelphia,
and the GMs felt their slate was clean. None of them had any doubt
what was being referred to.
Second Anonymous Letter - it was revealed before
the end that the Second Anonymous letter came from Taylor, and
it destroyed any hope of peaceful resolution. By February the
general sentiment was running against the poorly worded complaint,
and Walker thought that King's response would not be "dismissive"
enough. Walker's critical mistake (aside from taking pen in hand)
was that his point of view was largely warped by his perception
of support from the Collinses, and their immediate friends, and
the fact that Henrietta did not take the matter too seriously.
Walker's note is incendiary, and rambles about "people with
their heads buried ostrichlike" and ends up more or less
accusing the Philadelphia writer of being the sort of person "responsible
for the death of talent like Oscar Wilde." It should be remembered
that De Profundis had been published the year before, and had
a strong impact on Walker - he quotes De Profundis - mostly the
unapologetic parts - in writing. Here Walker makes his second
error, in misjudging his audience. He believes that like his limited
circle of artist friends, most of the readers enthusiastically
endorse sexual conversation and Freudianism, and that anyone who
doesn't is at needs "little more than a Neanderthal."
In fact the general feeling against the letter is because most
people assume that the things referred to never occurred, or are
gross exaggerations. Walker's letter virtually insists that they
did occur, and thus a confrontation is ignited.
Nothing Improper about Clarence - for a blustering
egomaniac, King did a fairly good job in this response which it
is suspected that Bucher edited. On the positive side, next to
Walker's invective it reads rather moderately. On the negative
side, despite being a decent piece of diplomacy it is less than
a sixth the length of Walker's tirade, and makes a typical derisive
King reference to "the fantasies of hysterical females,"
which while far more typical at the time than today, was not likely
to inspire love and forgiveness from the Spath or Cole families.
Anonymous Philadelphia Response - Because Metagame
published so infrequently, and people talked between times, it
was not uncommon for two letters essentially in response to each
other to appear in the same issue. As we'll learn later this was
something of a political issue in itself.
It will later be maintained that the writer of this response,
who was probably Coleman Love, possibly with help from his cousin
or Leonard Spath, that they had seen the Walker Letter. For years
it was maintained that this was not the case, however Miriam Jung
uncovered a letter from Metagame Editor K. Walton Barrett to Millicent
Enroe, written in 1926, in which he admitted giving the "particulars"
of the letter to Imogene Love, "because it was so extraordinarily
vituperative." He is never very clear about why this made
it a good idea to show Imogene the letter beforehand, however
it seems unlikely that his intent was malicious. Apologists at
the time suggested he feared a lawsuit, but the more likely reason
is that he was concerned over the ugly turn the thing was taking,
and wished not to appear to be on the "other side" in
printing such an item.
The anonymous Philadelphia response is brief and defamatory.
It names Frank Taylor, and says that he has "used role playing
as a basis for taking advantage of several young women, including
the previous Tess (Julia Lederer) 'with whom he engaged in illicit
sexual relations of the sort that are termed, among more decent
folks, fornication.'
Summer 1907
Anonymous - Ban him from Games
An anonymous correspondent proposes a "blackball" policy
by which those who have committed "grievous offenses against
womanhood" ought to be "cut off from LARPdom."
Given the standards in clubs of the day the proposal isn't particularly
outrageous, however it fails to recognize an obvious fact - there
is no central structure or organizing body which has "authority"
over individual LARPs. And little likelihood that one would be
accepted if it were formed.
In Defense of the Game Clarence
King, never knowing when to shut up presents a lengthy defense
of the written materials in Clarence, and in clinical terms says
that a certain discussion of "the more advanced theories
of the human mind," ought to be acceptable to anyone whether
it is ugly or not - just as talk of war or other topics needs
be acceptable. Really it's not a bad summary, but he's digging
the hole deeper here, without giving enough information, and his
snide superior tone which was restrained in the previous issue
shines through in such a way as to make even his allies cringe.
With both he and Walker having dug a thorough pit, he then falls
in by suggesting that perhaps the girl in question was not really
so offended, and if she was she ought to speak up for herself.
That "perhaps some jealous beau is more the one who is offended
than the gilded lily they seek to 'protect.'" If Hitler had
Walker and King as propagandists, the mid 20th century would have
been a time of peace, because between them they could doom any
cause.
Shut up already
Millicent Enroe writes a shrill screed in which she tells everyone
to shut up and discuss something else as this has gone on "too
long." An outburst of this type is inevitable in round two
of any discussion but it of course adds little other than pressure.
There is a significant question in the air, and it will not go
away merely because it is inconvenient to think about.
The Perspective from a Woman's View
Lena Collins comes out with a quiet, well reasoned piece. She
points out that most women are not "given to the hysterical
sensibilities of the former day," and that even then most
women did not have that luxury. It's fairly obvious that Lena
shopped this around, and bits of Ivan, Dolores, and even Thaddeus
Walker show up in it, though there is no reason to think that
the talented Lena was not the primary composer. She makes a nod
toward understanding that a topic may make someone uncomfortable,
but in "matters of real life or real science," puts
the onus on the person who is discomfited to "politely bow
out, and only claim grounds for outrage if they are pursued at
an unbecoming interval." She refers to the issue as a "misunderstanding."
Fall 1907
Walker makes it worse
The real title of this is "When Ignorance runs Rife"
however the above is a more accurate appellation. Walker is all
over himself here, quoting Freud, more of De Profundis, and Mary
Wollstonecraft's (the mother not the daughter) Vindication of
the Rights of Women. It says little or nothing, but manages to
say it loudly and at great length. It also contains a little invective
at Millicent Enroe, which is both deserved, and unwise.
The Lady in Question Speaks for Herself
Though it is all of three paragraphs, this is one of the most
heavily deconstructed messages of the scandal. It is signed by
Annette Spath, and Imogene Love vowed that Spath wrote it. It
is a strongly worded note saying that at thus and so time, a certain
gentleman "imposed himself upon her at her grave displeasure,"
and "caused her great upset by discussing clearly and with
great pleasure topics which ought not be discussed by decent persons
in normal conversation" despite her "obvious discomfort."
There is a bow to science at the end - "leave to the medical
profession those things medical - neither the dissection of a
carcass, or the matters of sex are fit for polite conversation
in the parlour with strangers." Here whoever the author was
hits on one very valid note. LARP does tend to make a group of
strangers behave in a suddenly familiar fashion, and that sudden
familiarity can be disconcerting. There is little doubt that Annette
Spath saw and signed the letter, but it is widely supposed to
have been prepared for her by Leonard and Imogene Love.
Female Counterperspective
Imogene Love writes at some greater length about her feelings
of frustration and outrage at the treatment of her friend, and
how LARP ought to be a "protected refuge for the expression
of delicate feelings" not "a haven for the very worst
class of cads and bounders." Unfortunately while she makes
some legitimate and visceral points, she is, like Walker, over
the top, and ends up damaging her own case.
Winter 1907
Munger makes it worse
Do we really need to go into this. Munger gives his typically
clear opinion on everything. He would call out the offender if
it were not for his wife. Here is another classic problem. So
far the persons engaged in debate have more or less been those
with a direct connection to the issue. But with Munger joining
the battle, 'associates' with an opinion are called in - meaning
by this time everyone.
The problem is that Munger's idiocy gets considered right alongside
Imogene Love's Letter, and colors the perception of the "Anti-Tyler
Faction" as being wildly irrational.
Don't use the O____ word
Millicent Enroe is outraged at the use of the word Orgasm in Walker's
last letter. Metagame should not print such things.
An Apology
Dr. Franklin Taylor offers a formal and lukewarm apology. He was
merely trying to take care of the girl, and keep an eye on her
after she complained of feeling poorly, and had no idea that "ideas
so commonplace today" would have upset her, but realizes
she must have been "formally and narrowly reared." He
suggests that the girl may be "beyond blame due to feverishness
and ill health," and says that "as a gentleman I must
offer an apology for any behavior at which offense was taken,"
while making it fairly crisply clear that he doesn't consider
anything he did unreasonable. He denies having any relations with
Julia Lederer, and says the accusation is so "baseless and
wicked as to be not worth any further response" All in all
it's a good, if not endearing, defense. Absent his allies, he
makes a good case for himself. The problem is that a good many
people know he slept with Julia (which she'll confirm, though
not until 1928), and so it throws a cloud of doubt onto his whole
case. Probably the belief that there was an accusation of physical
congress comes from this issue, which was quite separate. Nobody
suggested Julia Lederer was unwilling, however, and she wasn't.
However no relationship followed, and both parties felt it better
to keep "mum" about the affair. Julia had begged Frank
not to apologize in print or dignify the matter with a reply,
however Taylor was leaving to go west, and felt that those who
had "defended him" deserved "some thanks for their
support."
Spring 1908
Negative publicity causing Clarence to fail
From Henrietta. The under-registered re-run of Clarence was forced
to cancel its contract with the Bellvue Stratford, and move to
the private home of the Cox family in the new suburb of Bala Cymwyd.
Certain persons are "planting rumors and falsehoods about
the moral character of the game....as much with intention to damage
its registration as with any belief in the truth of what they
say." Henrietta may have known about a whispering campaign
against the game - she was a gossip, and there is anecdotal evidence
that the Loves actively discouraged registration in the second
run. However, in print it comes off as paranoiac.
Outrage among Taylor's Supporters
Three short pieces - Walker, Ivan Collins, and Marsden are run.
They are all reasonably moderate in tone, and actually lay out
a fair case that the affair has been taken too far, pointing out
that Taylor's character has been assassinated, and a major game
damaged over "a misunderstanding." One gets the feeling
Marsden and Dolores stood over Walker's desk when he wrote his
piece. There's evidence of informal strategizing by this point.
The three pieces are well written and seem to provide a show of
strong support. Everyone says that Taylor was "polite and
decent" to apologize after being "wronged in print."
Orgasm reasonable
We get Dr. Moore of all people writing in to say that "Orgasm"
is a medical word, giving its derivation from French and Greek.
He admits it is a "delicate" term, but that it is no
more indecent than the terms used in dozens of advertisements
for hygiene products in catalogs and magazines.
Response to Liberal outrage in same issue
Here it gets deadly. Coleman Love does a point by point dissection
of the Taylorites in the same issue, including quotes from their
letter. The refutation is reasonable but the case was made better
on emotional distress. He is now arguing "rights" of
players, and on less tenable ground trying to make the case one
of clear black and white, and prove Taylor definitively "in
the wrong."
Summer 1908
Outrage at the Editor
Marsden writes in genuine outrage that Coleman Love responded
to his letter in the same issue. He proposes that the Editor is
biased in the matter, and has treated one side of the question
unfairly, citing the earlier probable case of having showed the
Loves a letter before it was published. Marsden has sharp eyes.
Henrietta Chimes in
Essentially saying the same thing as Marsden, and stating that
the group is "unable" to stage a game during the year
because of "hurtful actions" by certain "Philadelphians."
Henrietta pouts well, and probably scores a few points in a case
where the Loves have largely held the emotional high ground.
Barrett Defends his Policies
Barrett gives a weak defense on the grounds that the magazine
comes out so seldom, however he states his new policy will be
to show no piece to anyone before it is printed. He also says
"no more" on the Taylor topic.
Love Makes his Points - Again
Arguments do not improve with time. Love is way off his ground
here, citing all manner of legalistic and moralistic arguments
that prove his side is "right." He's strayed a long
way from the emotional impact of last year, and lost ground every
step of the way. He needs to make the simple point again that
his cousin's friend was hurt and he manages to do everything but
this.
Fall 1908
Anti Metagame Circular
When good LARPers do stupid things. Having had a letter returned
by Metagame, Marsden circulates it to as many people as he can
get addresses for. His argument is that Barrett gave Love a chance
to do a point by point refutation of his arguments, but that he
let Love close the show with no response allowed. Here Marsden
errs. Love's points have little impact, and we're about ready
to take Millicent Enroe's advice and shut everyone up. But Marsden
wants to refute them point by point. The refutation is good, but
it's beating a dead argument and Marsden should have known better.
Apparently they are sitting on Walker's hands at this point.
Winter 1908
Two final perspectives
You can't say Barrett didn't try to please everyone. He runs a
piece by Love and a piece by Marsden side by side. This apparently
satisfied both sides that justice was done, however the points
were simply a rehash of the Summer articles. Marsden's refutation
is as cold and technical as Love's and both are simply arguing
points of precedence at this point.
 |
The story has an epilogue:
Washington Dramatist Arrested as White
Slaver!
The Atlantic City Herald November 6,
1909
Washington Dramatist Henrietta Wallace arrived in Atlantic
City this morning with a Company of players to play the
Interactive Stage Drama "Clarence's Evening Party."
[sic]. Acting on a citizen complaint, the Atlantic City
Police
|
arrested Miss Wallace who was suspected of using her drama
company as a front for the recruitment of women into white
slavery. Her scripts were also seized and turned over to
the District Attorney. Miss Wallace was held for several
hours while the complaints were investigated, and a male
individual was sought and was arraigned on charges of "operating
a public entertainment without an appropriate license."
The outraged Wallace was represented by Mr. Meyer Stanbaum
before Judge Harold Waltz. The D.A. declined to file Comstock
Charges, and no substantiation could be found to indicate
that Miss Walker had in any way engaged in the White Slave
Trade. The complaint was put down to a disgruntled former
actor in the company. Judge Waltz dismissed the licensing
charge, though he pointed out that the Strand was an "unusual
venue" for a dramatic performance, and that this irregularity
had aroused "reasonable suspicion" in combination
with a complaint.
Miss Wallace returned to the Hotel Strand where her partner,
Mr. Harold [sic] King said "the show must go on."
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